{"id":4407,"date":"2025-11-12T13:43:41","date_gmt":"2025-11-12T13:43:41","guid":{"rendered":"https:\/\/hwb.thetechvillehub.com\/?page_id=4407"},"modified":"2026-05-15T10:40:20","modified_gmt":"2026-05-15T10:40:20","slug":"dozenten-adil-arslan","status":"publish","type":"page","link":"https:\/\/d-t-musikakademie.de\/tr\/dozenten-adil-arslan\/","title":{"rendered":"dozenten-AD\u0130L ARSLAN"},"content":{"rendered":"
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\n\t\t\t\t\tAD\u0130L ARSLAN
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1962 y\u0131l\u0131nda Do\u011fu Anadolu\u2019nun Tunceli ilinde do\u011fan ba\u011flama virt\u00fc\u00f6z\u00fc, besteci ve ses sanat\u00e7\u0131s\u0131 Adil Arslan, Almanya ve T\u00fcrkiye\u2019de tan\u0131nan bir sanat\u00e7\u0131d\u0131r. 1979 y\u0131l\u0131ndan bu yana Berlin\u2019de ya\u015fayan sanat\u00e7\u0131, k\u0131sa s\u00fcrede radyo ve televizyon programlar\u0131ndaki performanslar\u0131yla b\u00fcy\u00fck ilgi uyand\u0131rd\u0131.<\/p>

1985 y\u0131l\u0131nda gitar virt\u00fc\u00f6z\u00fc ve besteci Carlo Domeniconi ile birlikte Do\u011fu-Bat\u0131 sentezini yakalamak amac\u0131yla i\u015fbirli\u011fi yapt\u0131. Bu ba\u011flamda, oda orkestras\u0131 e\u015fli\u011finde ba\u011flamas\u0131yla Semahlar adl\u0131 alb\u00fcm\u00fcn\u00fc yay\u0131nlad\u0131 ve bu esere Goethe\u2019nin ayn\u0131 adl\u0131 eserine at\u0131fla Bat\u0131-Do\u011fu Divan\u0131 ad\u0131n\u0131 verdi.\nBerlin\u2019in 750. kurulu\u015f y\u0131ld\u00f6n\u00fcm\u00fc kutlamalar\u0131 kapsam\u0131nda, 1987 y\u0131l\u0131nda Adil Arslan ve Carlo Domeniconi, Berlin Filarmoni\u2018de d\u00fcnya pr\u00f6miyeri yap\u0131lan Carlo Domeniconi\u2019ye ait ba\u011flama, gitar ve oda orkestras\u0131 i\u00e7in yaz\u0131lm\u0131\u015f olan \u201cConcerto di Berlinbul\u201d adl\u0131 ikili kon\u00e7ertoyu solist olarak seslendirdiler. Ayn\u0131 y\u0131l, bu kon\u00e7erto Almanya Cumhurba\u015fkan\u0131 Richard von Weizs\u00e4cker\u2019in de kat\u0131ld\u0131\u011f\u0131 Berlin Bellevue Saray\u0131\u2019nda tekrar sahnelendi. B\u00fcy\u00fck ilgi g\u00f6ren bu kon\u00e7erto, Avrupa\u2019n\u0131n \u00e7e\u015fitli \u015fehirlerinde farkl\u0131 orkestralarla da icra edildi.<\/p>

Concerto di Berlinbul, 1991 y\u0131l\u0131nda Adil Arslan ve Carlo Domeniconi\u2019nin kat\u0131l\u0131m\u0131yla, Ankara Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131 (CSO) ve \u015fef G\u00fcrer Aykal i\u015fbirli\u011fiyle kaydedildi. Bu kay\u0131t, 1993 y\u0131l\u0131nda Raks firmas\u0131 tarafindan CD format\u0131nda piyasaya s\u00fcr\u00fcld\u00fc.\nAdil Arslan, 1981 ile 1997 y\u0131llar\u0131 aras\u0131nda \u00e7e\u015fitli m\u00fczik okullar\u0131nda ve halk e\u011fitim merkezlerinde ba\u011flama \u00f6\u011fretmenli\u011fi yapt\u0131. 1998 y\u0131l\u0131nda Berlin\u2019de deutsch-t\u00fcrkische Musikakademie\u2019yi kurdu ve o zamandan bu yana bu Akademinin y\u00f6neticili\u011fini y\u00fcr\u00fctmektedir. Her ne kadar Bat\u0131 klasik m\u00fczi\u011finden etkilenmi\u015f olsa da, daha \u00e7ok halk m\u00fczi\u011fi temelli bir m\u00fczikal \u00e7izgiyi takip etmekte ve en ba\u015f\u0131ndan beri Do\u011fu ile Bat\u0131 m\u00fczik elementlerini bir araya getirmeye \u00e7al\u0131\u015fmaktad\u0131r. Bu sentezle, hem k\u00fclt\u00fcrel bir kayna\u015fma hem de do\u011fu m\u00fczi\u011finin bat\u0131da daha geni\u015f kitlelere ula\u015fmas\u0131n\u0131 hedeflemektedir.<\/p>

1992 y\u0131l\u0131nda, kendi bestelerinin de yer ald\u0131\u011f\u0131 \u201c\u00dcryan\u201d adl\u0131 alb\u00fcm\u00fcn\u00fc dinleyicilere sundu. G\u00fcn\u00fcm\u00fczde Berlin Filarmoni Salonu\u2019nda m\u00fczik etkinlikleri sunmakta ve bu yolla s\u00fcrekli olarak k\u00fclt\u00fcrleraras\u0131 diyalo\u011fu te\u015fvik etmeye \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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West-\u00d6stlicher Divan LP\/CD\/MC<\/strong><\/p>

CPR\/ART\/ADA Plak<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u00dcryan CD\/MC<\/strong><\/p>

CPR\/ADA Plak<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Concorto di Berlinbul CD<\/strong><\/p>

RAKS<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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1962 y\u0131l\u0131nda Tunceli\u2019de do\u011fan Adil Arslan, ba\u011flama virt\u00fc\u00f6z\u00fc, besteci ve ses sanat\u00e7\u0131s\u0131 olarak T\u00fcrkiye ve Avrupa\u2019da tan\u0131nmaktad\u0131r. 1979\u2019dan itibaren Berlin\u2019de ya\u015fayan Arslan, radyo ve televizyon programlar\u0131ndaki performanslar\u0131yla k\u0131sa s\u00fcrede dikkat \u00e7ekti.<\/p>

Adil Arslan, 1980\u20131990 y\u0131llar\u0131 aras\u0131nda \u0130stanbul Teknik \u00dcniversitesi T\u00fcrk Musikisi Devlet Konservatuvar\u0131\u2019n\u0131n kurucusu ve m\u00fcd\u00fcr\u00fc Nida T\u00fcfek\u00e7i ile usta sanat\u00e7\u0131 Ali Ekber \u00c7i\u00e7ek\u2019ten e\u011fitim alm\u0131\u015ft\u0131r. Bu d\u00f6nemde, her iki sanat\u00e7\u0131yla ayn\u0131 m\u00fczikal \u00e7evreyi payla\u015farak ve geleneksel me\u015fk usul\u00fc do\u011frultusunda birebir etkile\u015fim i\u00e7inde bulunarak sanatsal geli\u015fimini derinle\u015ftirmi\u015ftir.<\/p>

1985 y\u0131l\u0131nda, gitar virt\u00fc\u00f6z\u00fc ve besteci Carlo Domeniconi ile Do\u011fu ve Bat\u0131 m\u00fczik geleneklerini birle\u015ftirme amac\u0131yla i\u015fbirli\u011fi yapt\u0131. Bu s\u00fcre\u00e7te, oda orkestras\u0131 e\u015fli\u011finde ba\u011flamas\u0131yla \u201cSemahlar\u201d alb\u00fcm\u00fcn\u00fc yay\u0131mlad\u0131 ve Goethe\u2019nin ayn\u0131 adl\u0131 eserine at\u0131fla \u201cBat\u0131-Do\u011fu Divan\u0131\u201d ad\u0131n\u0131 verdi.<\/p>

1987 y\u0131l\u0131nda, Berlin\u2019in 750. kurulu\u015f y\u0131ld\u00f6n\u00fcm\u00fc kutlamalar\u0131 kapsam\u0131nda Adil Arslan ve Carlo Domeniconi, Berlin Filarmoni\u2019de \u201cConcerto di Berlinbul\u201d adl\u0131 ikili kon\u00e7ertonun d\u00fcnya pr\u00f6miyerini ger\u00e7ekle\u015ftirdi. Ayn\u0131 y\u0131l, konser Almanya Cumhurba\u015fkan\u0131 Richard von Weizs\u00e4cker\u2019in kat\u0131l\u0131m\u0131yla Berlin Bellevue Saray\u0131\u2019nda tekrar sahnelendi. Bu eser ayr\u0131ca Avrupa\u2019n\u0131n farkl\u0131 \u015fehirlerinde, \u00e7e\u015fitli orkestralar taraf\u0131ndan da icra edildi.<\/p>

1991 y\u0131l\u0131nda \u201cConcerto di Berlinbul\u201d, Ankara Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131 e\u015fli\u011finde, \u015fefli\u011fini G\u00fcrer Aykal\u2019\u0131n \u00fcstlendi\u011fi bir \u00e7al\u0131\u015fma kapsam\u0131nda kayda al\u0131nd\u0131 ve 1993 y\u0131l\u0131nda Raks firmas\u0131 taraf\u0131ndan CD format\u0131nda yay\u0131mland\u0131.<\/p>

Arslan, 1981\u20131997 y\u0131llar\u0131 aras\u0131nda Berlin\u2019de \u00e7e\u015fitli m\u00fczik okullar\u0131nda ba\u011flama \u00f6\u011fretmenli\u011fi yapt\u0131. 1998 y\u0131l\u0131nda Berlin\u2019de Deutsch-T\u00fcrkische Musikakademie\u2019yi kurarak y\u00f6neticili\u011fini \u00fcstlendi. M\u00fczi\u011finde halk m\u00fczi\u011fi temelli bir \u00e7izgiyi benimseyen Arslan, Bat\u0131 klasik m\u00fczi\u011fiyle Do\u011fu m\u00fczi\u011fi \u00f6\u011felerini harmanlayarak k\u00fclt\u00fcrleraras\u0131 bir diyalo\u011fu g\u00fc\u00e7lendirmeyi ama\u00e7lamaktad\u0131r.<\/p>

1992 y\u0131l\u0131nda yay\u0131mlanan \u201c\u00dcryan\u201d alb\u00fcm\u00fc, kendi bestelerini de i\u00e7erir. G\u00fcn\u00fcm\u00fczde Berlin Filarmoni Salonu\u2019nda d\u00fczenlenen etkinliklerde m\u00fczi\u011fini sunmaya devam eden Arslan, sanat arac\u0131l\u0131\u011f\u0131yla k\u00fclt\u00fcrleraras\u0131 ileti\u015fimi te\u015fvik etmektedir.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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West-\u00d6stlicher Divan <\/strong><\/p>

LP\/CD\/MC | CPR\/ART\/ADA Plak<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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\u00dcryan <\/strong><\/p>

CD\/MC | ADA Plak<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t

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Concorto di Berlinbul <\/strong><\/p>

CD | RAKS<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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AD\u0130L ARSLAN Der 1962 in Tunceli (Ostanatolien) geborene Ba\u011flama-Virtuose, Komponist und S\u00e4nger Adil Arslan ist in Deutschland und in der T\u00fcrkei kein Unbekannter. Seit 1979 lebt der K\u00fcnstler in Berlin und erweckte in kurzer Zeit mit Auftritten in Rundfunk- und Fernsehprogrammen gro\u00dfe Aufmerksamkeit. 1985 arbeitete er mit dem Gitarren-Virtuosen und Komponisten Carlo Domeniconi zusammen, um […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-full-width.php","meta":{"footnotes":""},"class_list":["post-4407","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/pages\/4407","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/comments?post=4407"}],"version-history":[{"count":55,"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/pages\/4407\/revisions"}],"predecessor-version":[{"id":7810,"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/pages\/4407\/revisions\/7810"}],"wp:attachment":[{"href":"https:\/\/d-t-musikakademie.de\/tr\/wp-json\/wp\/v2\/media?parent=4407"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}